To support programs associated with the Fall 2025 exhibition "Paper Backs: Hidden Stories of European Prints".

To support a publication on the occasion of a colloquium on Russian avant-garde prints.

To support the national run of "Rembrandt: Masterpieces in Black and White—Prints" from the Rembrandt House Museum across the US and to provide educational programs on the art of etching.

To support the upcoming exhibition "Rebecca Gilbert:
A Dance of Death in Two Parts", a new series of eighty-two wood
engravings.

To support the realisation and vital conservation needed to deliver the first major retrospective of Chila Kumari Singh Burman MBE, Tate Liverpool’s first major exhibition after reopening in 2027.

To support exhibition expenses associated with "Seeking Revelation: German Romantic Prints and Drawings".

To support the 5th Biennial
Printmaking Summit, which will focus on the macroeconomics of
printmaking education.

To support Print Center New York’s forthcoming exhibition "Krishna
Reddy: Heaven in a Wildflower" that demonstrates Reddy’s importance to
the printmaking field and the material and conceptual approach to
the groundbreaking viscosity technique he developed.

To support implementation of the exhibition titled "Shadow Visionaries: French Artists Against the Current, 1840–1870".

To support a retrospective exhibition of the art of John Wilson (American, 1922–2015) opening in September 2025, and co-organized with the Museum of Fine Arts, Boston.

To support a speaker series accompanying the upcoming
exhibition "Process Work: Print, Photography, and the
Industrialization of the Image".

To present a lecture on the history and pedagogy of the Print
Study Seminar followed by a panel discussion on the legacy of
how printmaking has been taught in Philadelphia.