Back to VIP Program
Back to VIP Program
September 10, 2020 - IFPDA Foundation Announces Annual Grants and Awards for 2020
January 10, 2020 - Applications for Summer 2020 Curatorial Internship grants are now open to eligible institutions
August 30, 2019 - IFPDA Foundation Announces Annual Grants and Awards
August 1, 2019 - Tickets On Sale for the IFPDA Foundation Cocktail Benefit
Jim Dine: Painting with the Carver
Download PDF Worklist
Painting with the Carver is an online exhibition of new prints by Jim Dine (b. 1935), one of America’s most celebrated artists, which includes previously unseen hand-painted prints depicting Dine’s signature motifs of robes, tools and hearts. Made over the past 12 months with master printmakers in Austria and Germany, this online exhibition includes Dine’s largest prints to date and a folding screen made from five joining panels.
Dine’s bathrobes, one of his most expressive motifs and enduring vehicles for his explorations of line and colour, began as stand-ins for the artist, which Dine calls ‘autobiography through objects’. Dine has also spoken extensively about his profound relationship with hand tools, and remembers playing with pieces of pipe, hammers and screwdrivers as a young boy in his grandfather’s hardware store. Brushes, hammers, saws and pliers feature prominently in his work, both as the tools of his trade and as an autobiographical motif. Dine has frequently used power-tools to grind, scrape and carve his woodblocks and Painting with the Carver, features woodcuts made by Dine with a chainsaw and motorised chisel.
– Alan Cristea
Image: Detail from Jim Dine, Asleep with his Tools Jim Dreams (screen), 2018
Listen: An Interview with Jim Dine
After the last show at Cristea Roberts Gallery (in 2016), I wanted to make mainly bathrobes, I don’t know why. It’s all about the sensuous pleasure of carving and I wanted to carve robes like this. I haven’t carved like this in a long, long time, this fully. All my life I’ve had these images with me: hearts, robes, tools, it’s an endless source of inspiration. I don’t consider it repetition; it’s part of my vocabulary. This is another take on it and I’m a different guy than I was 20 years ago, you know. I am now going into my 85th year and I wanted to make bathrobes that I’ve been making since 1964. But they’re quite different, like I am.
-Jim Dine
Asleep with his tools Jim dreams woodblocks with under drawing, prior to carving. Photography: Peter White, FXP Photography
Inking up a woodblock at Steindruck Studio, Apetlon, 2019. Photography: Daniel Clarke
Jim Dine
Jim Dine’s prolific career as printmaker, painter and sculptor has spanned over six decades, and his iconic images are internationally renowned. Born in Cincinnati, Ohio, he studied at night at the Cincinnati Art Academy during his senior year of high school, and then attended the University of Cincinnati, the School of the Museum of Fine Arts, Boston, and Ohio University, Athens, from which he received his B.F.A. in 1957. Dine moved to New York in 1959 and soon became a pioneer creator of ‘Happenings’ together with Allan Kaprow, Claes Oldenburg and Robert Whitman. Since his first solo exhibition in 1960, Dine’s paintings, sculptures, photography and prints have been the subject of nearly 300 solo exhibitions worldwide. In 1970 the Whitney Museum of American Art, New York, organised a major retrospective of his work and in 1978 the Museum of Modern Art, New York, presented a retrospective of his etchings. This year Dine was honoured by the International Print Center New York. He lives and works in Paris, New York and Walla Walla, Washington.
Image: Jim Dine at Steindruck Studio, Apetlon, 2019. Photography: Daniel Clarke
Cristea Roberts Gallery can be reached at:
Or visit online at www.cristearoberts.com