To support public programming for the exhibition, Landfall Press: Five Decades of Printmaking, organized by former IFPDA Curatorial Intern, Nikki Otten.

In support of the exhibition Pressing Issues: Printmaking as Social Justice in the 1930s United States.

For Political and Personal: Images of Gay Identity, an exhibition culminated by the IFPDA supported internship in 2018.

For its Print Now Series, a free, public program with professional lectures, Master Printer demos, and printmaking workshops.

To fund Impressions of Eastern Europe: Prints From the Permanent Collection, an exhibition of prints by European and American artists from the early 20th century to the mid-1970s, whose works reflect the displacements and migrations experienced during their lifetimes.

Archiving and digitizing the Center’s approximately 500 works on paper to create an online database and electronic exhibition.

To support the research publication ‘Late Hokusai: Thought, Technique, Society’, based on the scholarly discussions and outcomes of a symposium on the British Museum’s hugely popular exhibition, Hokusai: Beyond the Great Wave.

For its Papermaking Workshop & Exhibition For Printmaking Students, a new one-day papermaking workshop and pop-up exhibition for MFA and BFA printmaking students at Dieu Donné.

Exhibition showcasing a range of screenprint-based art applications, from framed and editioned prints, to installation, sculpture, video, ephemera, and posters.