GRANTS & AWARDS | IFPDA Foundation 11/25

IFPDA Foundation Grants

The Foundation provides financial support to museums and non-profit organizations for exhibitions, publications, and educational projects that promote greater awareness and understanding of printmaking as an artistic medium.

Grants are made to non-profit organizations that are certified tax-exempt under section 501(c) (3) of the U.S. Internal Revenue Service code. Applications from organizations outside the United States that can document not-for-profit status will also be considered.

Please download the Grants Guidelines for complete details.

Applications for 2026 are now closed.

2015

Wallach Gallery at Columbia University

Rembrandt’s Changing Impressions

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2015

Association of Print Scholars

Material as Meaning: Process and the Object in Printmaking

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2014

IPCNY: International Print Center NY

1913 Armory Show Revisited: The Artsits and Their Prints, A Virtual Exhibition

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2015

Morgan Library & Museum

Graphic Passion: Matisse and the Book Arts

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2015

Colorado Springs Fine Arts Center Museum

Mary Chenoweth: Modern Printmaking

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2014

MOBIA

Durer, Rembrandt, Tiepolo: The Jansma Master Prints Collection from the Grand Rapids Art Museum

2015

Baltimore Museum of Art

Stanley William Hayter and the Atelier 17

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2014

Des Moines Art Center

Natalia Goncharovia, Olga Rozanova and the Great War: From Icon to Abstraction

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2014

Art in Print

Voices in Print

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The IFPDA Foundation Book Award

The IFPDA Book Award was founded in 2004 to highlight and promote published books, articles, or catalogues on fine prints. This annual award honors excellence in research, scholarship, and the discussion of new ideas in the field of fine prints. The award provides one outstanding recipient and publication with a prize of $3,000, and represents another milestone for the organization. As a result, the winner will receive acclaim from one of the most recognizable bodies in the print world.

The jury limits its consideration to books published during the prior year. Each submission will be vetted by members of the jury, who have been selected according to their expertise in that particular field or specialty. They will consider the use of original ideas, fresh research and individual interpretations. The jury will review the submissions and the award will be announced at the IFPDA Print Fair in April of 2026.

Applications for the 2026 IFPDA Foundation Book Award are now open.

Click here for the Guidelines

Apply Now

2025 Winner

The Radical Print: Art And Politics In Late Eighteenth-Century Britain

Esther Chadwick

Paul Mellon Centre for Studies in British Art

This volume argues for printmaking in Britain as the most exciting, innovative, and critically engaged field of artistic production in the late eighteenth century. Moving the print from the margins to the centre of the study of art history, this new critical study demonstrates how print responded to the acceleration of historical events, the polarisation of public discourse, and the sense of a world turned upside down in ways that traditional artistic media could not.

2025 Winner

Terry Winters: The Printed Work, A Catalogue Raisonné

Richard H. Axsom

Jordan Schnitzer Family Foundation

Across four decades of his work, Terry Winters has been examining, in various iterations, the relationships between modernist abstraction, information systems, and the architecture of the natural world. While predominantly a painter, Winters is also known for his drawing and printmaking. Each of these different media furthers his overall project where mark making is seen as a pictorial process, and where each medium is used to reveal new subjects and possible meanings.

2024 Winner

A Model Workshop: Margaret Lowengrund and The Contemporaries

Ed. Lauren Rosenblum, Christina Weyl

Hirmer Publishers

This volume explores the understudied impact of Margaret Lowengrund (1902–1957) – a visionary leader, organiser and critic within the mid-twentieth century printmaking community – and the vibrant New York print workshop/gallery she founded, "The Contemporaries". The book expands histories of 1950s printmaking by showing Lowengrund and The Contemporaries to be a vital nexus in the mid-century print field, placing them within a constellation of contexts including organised labour, feminisms and entrepreneurship, international exchange, and making the modern print.

2024 Winner

The Circulating Lifeblood of Ideas: Leo Steinberg's Library of Prints

Holly Borham

Blanton Museum of Art

Beginning in the early 1960s, with only the meager budget of a part-time art history professor, Leo Steinberg (1920–2011) amassed a collection of more than 3,500 prints that spans the medium’s five-hundred-year history in the West. Akin to books on a shelf, Steinberg’s prints formed a visual library that shaped his scholarship in fundamental ways. His collection, incorporating the work of artists both famous and obscure, illuminates his claim that in the era before photography, prints functioned as the “circulating lifeblood of ideas,” disseminating figures, compositions, and styles across boundaries of geography, time, and medium.

2004

Kiki Smith: Prints, Books & Things

Wendy Weitman

The Museum of Modern Art, New York

Published 2003

AUC Art Collective + IFPDA Internship Program

The Atlanta University Center Art History + Curatorial Studies Collective prepares undergraduate students for careers in the visual arts. The collective is comprised of three schools --- Clark Atlanta University, Morehouse College, and Spelman College --- united by the world’s oldest and largest association of historically black colleges and universities and a shared vision that innovation + art = change. The IFPDA has partnered with the AUC Art Collective to develop a professional internship program which launched in the summer of 2022 with a student from Spelman College who received an internship at BORCH Editions and Gallery in Berlin and Copenhagen.

2022:

Spelman College + BORCH Editions and Gallery, Berlin, DE

2023:

Spelman College + Paulson Fontaine Press, Berkeley, CA
Spelman College + Tandem Press, Madison, WI

2024:

Spelman College + L'-Atelier Galerie A. Piroir, Montreal, Canada

Clark Atlanta University + Paulson Fontaine Press, Berkeley, CA

Morehouse College + Knust Kunz Gallery Editions, Munich, Germany

2025:

Spelman College + Paulson Fontaine Press, Berkeley, CA

Spelman College + David Tunick, Inc., New York, NY

Clark Atlanta University + Two Palms Press, New York, NY

Detail, Amy Sherald (AUC alumna), Hope is the thing with feathers (The little bird), 2021
Color screenprint on coventry rag. Image courtesy Hauser & Wirth.

Curatorial Internships

Recognizing the importance of early career exposure to prints and drawings, the IFPDA Foundation provides funding for curatorial internships in museum print and drawing collections. [NB: Internships may be offered in summer, spring, fall, or winter with the proviso that they must be completed within 12 months of the date of funding approval.]

Each year, the IFPDA Foundation funds curatorial internships in museum print collections. Host institutions are awarded funding based on their ability to provide an intern with object-based experience in the collection under the guidance of one or more experienced print specialists. More information can be found in the Guidelines.

Applications for 2026 are now open.

2015

ART INSTITUTE OF CHICAGO

Intern: Courtney Wilder

2015

MUSÉE JENISCH VEVEY

Intern: Maelle Tappy

2014

LIBRARY COMPANY OF PHILADELPHIA

Intern: Alison Van Denend

2014

UNIVERSITY OF IOWA MUSEUM OF ART

Intern: Alice Phillips, Ph.D.

2015

FRANCES LEHMAN LOEB ART CENTER

Intern: Caitlin Cummings

2015

SMITH COLLEGE MUSEUM OF ART

Intern: Nicole Viglini

2014

MUSEUM OF FINE ARTS, HOUSTON

Intern: Katie Applegarth

2014

RISD MUSEUM

Intern: Maggie C. North

2015

HAMMER MUSEUM

Intern: Sarah Bane

2015

THE BALTIMORE MUSEUM OF ART

Intern: Jesse Feiman

2014

THE NEW YORK PUBLIC LIBRARY

Intern: Elisabeth C. Rivard

2014

ZIMMERLI ART MUSEUM

Intern: Sara B. Green

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Richard Hamilton Acquisition Prize
Presented by ChampionScott

Through the generosity of ChampionScott Partners, the Richard Hamilton Acquisition Prize provides $10,000 for a museum’s acquisition of one or more prints from any period at the IFPDA Print Fair. In naming the prize, ChampionScott Partners honors the late Richard Hamilton as a tribute to the artist’s profound influence on their own appreciation of prints and to acknowledge his impact on generations of printmakers.

Applications for 2026 are now closed.

Image: Richard Hamilton Picasso's Meninas, 1973 Hard-ground, soft-ground and stipple etching, open-bite and lift-ground aquatint, engraving, drypoint and burnishing on Rives paper. Courtesy of Cristea Roberts Gallery.

2026 Recipient: The Kupferstichkabinett (Museum of Prints and Drawings) of the Staatliche Museen zu Berlin

As the largest collection of graphic art in Germany and one of the leading institutions of its kind worldwide, the Kupferstichkabinett Berlin was founded in 1831 and is today part of the Staatliche Museen zu Berlin under the Foundation of Prussian Cultural Heritage. Within this institutional complex, it serves as a reference collection for works on paper and as a center of excellence for draftsmanship, printmaking, manuscript illumination. At the same time, it functions as an innovative site for exhibitions devoted to works on paper.

View Past Acquisitions

Curatorial Travel Grant Program

The IFPDA Foundation Curatorial Travel Grant Program provides funding ($2,000) for institutionally based print curators to attend the IFPDA Print Fair held in New York City. The dates for 2026 are April 9-12 at the Park Avenue Armory.

This event represents the largest annual convening of international print scholars, collectors, gallerists, artists, and curators as well as presenting a unique opportunity for in person viewing of works of art spanning the full 550+ years of printmaking.

Candidates are invited to complete an online application and attach a CV along with information about their institution’s print collection and plans for future acquisitions.

Recipients will be asked to submit documentary proof of travel (e.g. plane/train tickets, hotel receipts etc.) and a brief report within two months following their travels to New York.

Applications for 2026 are now open.

2026

ART INSTITUTE OF CHICAGO

Chicago, IL

2026

NATIONAL GALLERY OF AUSTRALIA

Parkes, Australia

2026

PORTLAND ART MUSEUM

Portland, OR

2026

TEL AVIV MUSEUM OF ART

Tel Aviv, Israel

2026

RACLIN MURPHY MUSEUM OF ART

Notre Dame, IN

2026

VAN GOGH MUSEUM

Amsterdam, Netherlands

2025

STAATLICHES MUSEUM SCHWERIN

Schwerin, Germany

2025

ASHEVILLE ART MUSEUM

Asheville, NC

2025

THE COURTAULD

London, England

2024

TELFAIR MUSEUMS

Savannah, GA

2026

WHITECHAPEL GALLERY

London, England

2026

J. PAUL GETTY MUSEUM

Los Angeles, LA

2026

ART GALLERY OF SOUTH AUSTRALIA

South Australia, Australia

2026

BLANTON MUSEUM OF ART

Austin, TX

2026

STAATLICHES MUSEUM SCHWERIN

Schwerin, Germany

2025

QUEENSLAND ART GALLERY

South Brisbane, Australia

2025

SAN ANTONIO MUSEUM OF ART

San Antonio, TX

2025

MUSEUM OF FINE ARTS LEIPZIG, GERMANY

Leipzig, Germany

2025

HAYWARD GALLERY, SOUTHBANK CENTRE

London, England

2024

MUSEUM LUDWIG

Cologne, Germany

2026

KUPFERSTICHKABINETT/STIFTUNG PREUßISCHER KULTURBESITZ

Berlin, Germany

2026

MUSEUM DER BILDENDEN KÜNSTE LEIPZIG

Leipzig, Germany

2026

MUSEUM PENZBERG

Penzberg, Germany

2026

BRITISH MUSEUM

London, England

2026

JOHN AND MABLE RINGLING MUSEUM OF ART

Sarasota, FL

2025

WORCESTER ART MUSEUM

Worcester, MA

2025

CALIFORNIA AFRICAN AMERICAN MUSEUM

Los Angeles, CA

2025

WHITECHAPEL GALLERY

London, England

2025

KUNSTHAUS ZÜRICH

Zürich, Switzerland

2024

MUSÉE D'ART ET D'HISTOIRE DE GENÉVE

Geneva, Switzerland